A triple print of the piece Pop which shows the artist as Sid Vicious in the pose of Andy Warhol's Elvis Presley, which imagined the be-quiffed star as a gunslinging cowboy - the original king of Pop as celebrated by the original "king" of Pop Art. A homage to both, Pop finds Turk adopting the same rebel snarl with the curled upper lip, not as the King of Pop but the dark Prince of punk. While Elvis was a sanitised icon of the music industry given a rebellious makeover by Warhol, Sid was a natural outsider who found himself somewhat accidentally at the heart of pop culture. Both came to untimely and sticky ends, sucked up and spat out by the same system, with a heavy dose of self-destruction thrown in for good measure. Certainly, there was nothing glossy or shiny or bright about the respective ends of these two nemeses. But if Pop is a comment on the nature of celebrity and the inbuilt self-destruction of the star system, which likes its martyrs young and damaged - with not a small nod at the martyrdom expected of artists should they ever hope to see their name up in lights, also - it is also a wry take on the commodification of culture, in which rebels and heroes, artists, art works and icons are reduced to products whose value is determined by the arbitrary randomness of the market.
Silkscreen on paper
1000 x 750 mm
Edition of 100
Signed, titled and dated on front bottom